Category: crane

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NAB 2013 has been over for over a week now, and it’s time to reflect on what this year’s big trends were. It definitely wasn’t a year of huge innovation in the camera sector (despite the S35 Blackmagic Design 4K camera), it felt more like an evolutionary step. 4K is definitely still the buzzword whereas 3D seems to be almost dead. (Watch NextWaveDV’s NAB 2013 “bloggers breakfast” where we discussed much of that together with our friends from other blogs by clicking here.)

Nothing is as sexy as new cameras for readers, but the one trend that clearly was showing this year was camera stabilization, in various forms: there was a lot of noteworthy innovation in a sector that was ripe for innovation. New sliders, jibs, copters and handheld rigs stole the show.

MoVi

The MoVi, a handheld camera stabilizer using a silent gyro and gimbal system has arguably been one of the big innovations at the show. Read our full news post by clicking here.
Here’s a run-down by our friends from FreshDV with Vincent Laforet, and another film shot with the MoVi:

Bowens OmniRig

We also reported about the OmniRig, a rig that looks very similar to the MoVi, but it’s purely mechanical. It’s still a concept that’s being worked on but it should be available during summer. Click here for the full news post.

Kessler Pocket Jib Traveller

Our friends at Kessler have introduced the new Pocket Jib Traveller, an incredibly easy to transport and small jib system (27 inches when collapsed) that extends to 72 inches when in use. It’s basically the first jib that can easily go in your backpack with a small tripod, and you can even take it on the plane in your normal luggage without paying crazy amounts for excess and/or bulky luggage. It is available via their website and it’s in high demand already.

 

Redrock Micro “One Man Crew” Slider

Redrock Micro introduced the new (oddly named) “One Man Crew” slider, which is a very interesting and innovative new approach at a slider. The name stems from the fact that the idea is that you can save on crew, because it is a parabolic motorized slider that is silent and it keeps the subject anchored and focused in the frame. A moving camera really adds production value for corporate films, for example, where you find yourself very often doing the exact thing that this slider is specialized in: moving back and forth with a person as the center of attention. Not having to do this manually and worrying about focus makes a lot of difference indeed.
The “One Man Crew” slider is now available at B&H Photo, click here.
Check out the interview that our friends at Teradek conducted with Brian Valente from Redrock Micro:

 

DJI Phantom aerial copter

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Another big hit at the show was DJI’s Phantom copter (that actually sold out on site on the first day). It’s a very affordable all-in-one copter solution for beginners for only $679 (available at B&H Photo, click here).
Our friend Dan Chung from newsshooter.com spoke to Colin from DJI about the Phantom copter as well as a new optional gimbal unit to stabilize the camera:

All credit is given to author cinema5DNino Leitner

It was a very busy first day with a bunch of new announcements via press conferences last morning, at we are sure we missed a lot of the stuff because there is so much going on here on the show floor at the same time – but here’s what the cinema5D team found to be significant on April 9, the first day of NAB Show 2013.

- Blackmagic Design 4K Production Camera & Pocket Cinema Camera

Like last year, Blackmagic succeeded in stealing everyone’s show by announcing their incredibly low-priced new cameras, one being a S35mm 4K camera, the other one being a S16mm camera that you can put in your pocket. For details, please check out our posts about the cameras here and here.

- Blackmagic DaVinci Resolve 10

Blackmagic also announced DaVinci Resolve 10, which is a free upgrade for any Resolve 9 owners. It looks like Resolve is moving quickly to become the one-stop shop for color grading by providing all the tools necessary to do the onlining from proxies from within the program. Also, the new version will give you the opportunity to produce a DCP from within the program.

- MoVi

The mythical MoVi is here too, and it literally is the thing that everyone is talking about since Vincent Laforet published the video he did with it. Check out our coverage of it here. I tried it myself last night and was enormously impressed with how good it really is and how little it training it needs to master (to, say, a Steadicam rig).

 - Sony concept cameras

Sony showed basic concepts of a DSLR form factor video camera, and a larger camera body based on one of the new Sony codecs. It’s very nice to see that they actually realize that camera people need to be involved in the process of the introduction about cameras to make them actually better. Click here to learn more from our friends at EOSHD.

- Redrock Parabolic Slider

Redrock came up with a very intriguing new product, a curved slider for a “One Man Crew”. The truth about sliders is that the linear form factor very often is a problem, and you end up having to adjust your focus when shooting an interview where the cameras is moving a little around. This one is designed to be operated by yourself, hence the name, and the genius idea about is that if you position it correctly, you don’t have to pull focus at all any more.

The New One Man Crew Motorized Parabolic Slider from Redrock Micro from Redrock Micro on Vimeo.

We are going to hit the floor tomorrow again of course, and if you have anything that you want us to report about more, let us know via the comments! We really appreciate feedback and are happy to implement it if it’s feasible.

All credit is given to author cinema5DNino Leitner

Everyone who operates video cameras knows that there is one major thing to consider before you can start shooting: stabilization. There are countless ways of stabilizing your camera – a simple tripod, a (shoulder) rig system (necessary for handheld shots if your camera has a form factor that makes it impossible to put it on the shoulder without additional pieces of equipment) – all the way up to Steadicams, jibs, cranes, sliders and so on, if you want to move that camera.

M?VI from Vincent Laforet on Vimeo.

MoVI in action

MoVI in action

And now the world is richer with another possibility to stabilize cameras, the MoVI, a digital 3-axis gyro-stabilized handheld camera gimbal – produced by Freefly Systems in Seattle, WA.

Vincent Laforet had a chance to shoot a test short with one, and published an extremely impressive resulting film. Including the behind-the-scenes footage, which is extremely revealing on how they managed to pull off many of the difficult shots, for example a “hand-over” of the camera rig while rolling at the same time.

M?VI BTS from Vincent Laforet on Vimeo.

According to Vincent, the learning curve on this is very low compared to other solution like a a Steadicam, so you should be able to shoot with MoVI within a very short time. The small form factor and weight also do are unheard of for devices in this category – which in turn allows many uses for it that have been unthinkable with other solutions.

Pricing wise we are looking at around $15,000 for the M10 (which takes up to 10 pounds), and around $7,500 for the M5 (for smaller rigs). While the M10 is already shipping, the M5 is not available yet.

cinema5D will be attending NAB of course, and one of our priorities will be getting a nice video hands-on with the makers of MoVI, who are filmmakers themselves.

What do you think? Is this really a “game changer” as Vincent pronounced?

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MoVI M10

via Vincent Laforet

All credit is given to author cinema5DNino Leitner

Kessler Crane just released some new and very cool products. Among the most intriguing new devices is the Shuttlepod Mini, which is a miniaturized version of their original Shuttlepod, a unique completely smooth and silent slider that can be run at any angle, even upside down and has many upgrade options such as a motor system.

The Shuttlepod Mini is so small it can fit into your backpack yet it can be expanded indefinitely in length and as Eric Kessler mentions you can even use 3/4″ square aluminum that is available at any hardware store.

- The slider itself with 4″ rails, costs $980 LINK
- If you want the all-angle grabber wheels: + $400
- And if you want a motor bundle add $880 LINK

Well this is certainly not a cheap system, but if you’re in the business to get a compact, versatile, reliable and smooth slider this $1000 – $2500 looks like it could be just what you’re looking for.

Kessler also has some more affordable, upgradable kits here: LINK

Also very interesting is their new Low Profile Ball Head, a small ballhead with superstrength that lets you easily and quickly set up your camera (up to the weight of the Alexa) at the desired angle.
This one would set you back $150 LINK

via Philip Bloom

All credit is given to author cinema5D newsSebastian

cinema5D member TimFok has recently created this very nice review of the DSLR Device Jib. A small, lightweight and affordable jib by a company based in Great Britain.

From TimFok’s blog:
One addition I’d like to add that I didn’t include in the video, is a comment on the brake unit. This is connected using the two supplied bolts and wing nuts. When tightened up it does it great job, holds the full weight of my 5D, lens and 701 effortlessly. What I wasn’t such a fan of was when it was not in use.
Due to the length of the bolts, it was difficult to find a position where the brake wasn’t retaining any tension, but wasn’t so lose that it was in danger of falling off completely. A simple solution would be to have slightly longer bolts, meaning you could put the brake in a safe ‘off’ position without risking the nuts falling off.

The DSLR Devices Jib is £235 ($369) and can be ordered here: LINK

All credit is given to author cinema5D newsSebastian

Jared talks with Eric Kessler about the hot new Fusion motion controller, brand new shuttlepod mini, and their very cleverly designed quick release system for cameras, sliders and cranes. Check it out!

All credit is given to author Wide Open CameraChris Marino